First Look of Nagavalli

Victory Venkatesh’s upcoming film “Nagavalli” which is the remake of Kannada super hit Aptha Rakshaka.and follow-up of Chandramukhi. The movie is expected to have several computer graphics and special effects.
P Vasu is directing the movie who earlier gave a super hit like ‘Chanti’ with Venkatesh. Camera is handled by Shyam K Naidu. Music is scored by Guru Kiran.Bellamkonda Suresh is producing the film under Sri Lakshmi Narasimha Movies banner.
‘Nagavalli’ has a lengthy list of heroines- Anushka, Richa Gangopadhyay, Kamilini Mukherjee and Sraddha Das are playing the lead roles. The audio launch will be on Nov 10th and the film is hitting the screens on December 2nd.
Here is the very first look of the “Nagavalli”

Bava Movie Review

Baava Movie Review
Movie: Baava
My Rating: 2/5
Banner: Sri Keerthi Combines
Music: Chakri
Cinematography: Aravind Krishna
Producers: M L Kumar Chowdary
Story,Screenplay & Direction: Rambabu
Cast: Siddarth, Rajendra Prasad, Pranitha, Ahuti Prasad, Tanikella, Samrat, Sindhu Tolani, Brahmi, Ali, Kasi Viswanath, Bharath Babu, Raghu Babu, Prasad, Venu etc
Release Date: 29th Oct 2010

Review

Story


Set on the backdrop of Venkatapuram in the Godavari district, Veera Babu (Siddarth) is the darling son of Sitaram Prasad (Rajendra Prasad). He is a complete brat and causes trouble in the village along with his group of friends (Prasad, Venu and others). He chances upon Varalakshmi (Pranitha), whose father (Ahuti Prasad) is a man of high status and talks to only such people. However, love blossoms between Veera Babu and Varalakshmi as they go a long way back. On the other hand, Sitaram Prasad has got a strong link with Varalakshmi’s family but stays away from them. What is that link? Does Veera Babu succeed in his love story? All this forms the rest of the story. Telugu Movie Reviews

Artists Performance:

Siddarth does his best to infuse life into his character and as usual, he is lively and expressive wherever required. His attempt to speak in the coastal slang must be appreciated. However, he got quite dramatic and artificial in the climax.

Rajendra Prasad was mild. His character was not etched properly and in a way, he was not used to his fullest caliber. He excelled in a bit of mono action in the fields in first half.

Pranitha looks homely and at the same time has enough sex appeal. She has shown ease and confidence in front of the camera. That way, she has scored in glamour and performance departments. Her intro scene with ‘Ringa Ringa..’ song is entertaining.

Ahuti Prasad was regular, Tanikella was neat, Samrat was handsome and did a good job, Brahmi and Ali comedy track took off well but fizzled out, Raghu Babu was brief, Prasad, Venu and gang gave many smiles, Kasi Viswanath, Bharath and others were there to fill the screen. The actress who did the role of Siddarth’s mom was decent, Sindhu Tolani was a misfit.

Final Analysis:

The film takes off at a very good level and the entire first half goes breezily with comedy and entertainment. However, things go completely down during the second half and with each passing scene, audience’s patience is tested.

The film suffers due to lack of depth during the emotional scenes and for some reason, the last twenty minutes went completely haywire and director lost track of what he wants to do. It was rather different to see audience clapping and whistling at some of the tragedy and emotional sequences which goes to show how the film got dragged and bored the viewer.

The storyline is quite routine and one has seen the routine twists before. On the bright side, the technical aspects are good. Cinematography was top notch. Background score was good, two songs were melodious, dialogues were well written, screenplay was okay. Editing was most needed during the second half to cut the drag scenes and melodrama. Locations were eye catching.

Overall, the openings for the film will be good due to the Siddarth factor and old loyal fans of Rajendra Prasad but then it is very hard for the film to get into the profit zone at the box office due to the squabbled second half.

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Rakta Charitra - 1 Movie Review

raktha-charitra
Movie: Rakta Charitra - 1
My Rating: 3.25/5
Banner: Cinergy productions
Music: Dharam- Sandeep
Dialogues: Nageswara Rao
DOP: Amol Rathod
Editing: Bhanodaya, Nipun Ashok Gupta
Producers: Madhu Mantena, Sheetal Vinod Talwar, Chinna Vasudeva Reddy, Rajkumar
Story,Screenplay & Direction: Ram Gopal Varma
Cast: Vivek Oberoi, Abhimanyu Singh, Shatrughan Sinha, Kota, Radhika Apte, Zareena Wahab, Sushant Singh, Tanikella, Subhalekha Sudhakar, Vishwajeet Pradhan, Rajendra Gupta, Ashish Vidyarthi, Kitty etc.
Release Date: 22nd Oct 2010


Review
Story

Noted MLA Narasimha Reddy (Kitty) has got a trusted aide in the form of Veerabhadriah (Rajendra Gupta) in Anandapuram area.


However, Narasimha’s relative Nagamani Reddy (Kota) is unable to take this for reasons of caste and losing his presence. He plants a seed of friction and in no time, Narasimha Reddy gets Veerabhadriah killed. This enrages Veerabhadriah’s elder son Shankar Ravi (Sushant) and he gets into a killing spree and operates from forests.


Veerabhadriah’s younger son Pratap Ravi (Vivek) who is away from all this gets to know of this and before he realizes, Shankar Ravi also gets killed. He vows revenge on his father and brother’s killers and in this process, Narasimha Reddy, Nagamani Reddy and others are brutally killed. Nagamani Reddy’s son Bukka Reddy (Abhimanyu) who is insane to the core is unable to take this and he becomes Pratap’s main enemy.


Meanwhile, the rise of Pratap as opposite force to Bukka Reddy is noticed by Shivaji Rao (Shatrughan) who sets a new party and he decides to lift Pratap to put an end to Bukka Reddy. What happens after that forms the rest of the story.


Artists Performance:
Vivek Oberoi is an apt choice, his eyes deliver the sufficient emotion of revenge and his body language is intense. He has done full justice to his role.
Abhimanyu Singh is a complete show stealer. His menacing looks and his cold blooded performance will give some spine chilling moments.
Shatrughan Sinha was contained and it must be said that traces of real life N T Rama Rao are quite prominent in his gestures and dialogue delivery.
Kota was perfect, Radhika was naturally appealing, Zarina was neat, Tanikella was impressive and he made his presence felt, Rajendra Gupta was adequate, Sushant was brief, Ashish Vidyarthi was alright, Subhalekha Sudhakar was standard, Subrat Dutta was good, the others did their bit as required and added value.


Highlights:
Symbolism shots with respect to showing a cycle in Shivaji Rao (Shatrugan Sinha)’s place (recalling TDP and NTR), usage of left had, addressing as ‘brother' are impressive.


Showing a dog barking after the death of Naga Mani Reddy (Kota) depicts ‘kukka chaavu'..That’s impressive.


Ram Moorthy (Tanikella) saying to Pratap Ravi ‘to shave beard as a politician should look clean at face although dirty at heart'
Bukka Reddy’s introduction scene
Disappointments:
RGV’s voice over is overflowing. It’s not a radio drama to explain everything with a voice over. Whatever RGV is saying in voice, is being conveyed visually! It disturbed the mood to some extent.
Pratap Ravi stays in forest as per the dialogue. But he stays in a dusty hill area that hardly looks like a forest. It may sound trivial, but when such observations linger in mind, some audience gets distracted from the mood.
Why Dabbunnoda song? The context is not convincing.
Challenges:
The subject chosen is quite hard hitting so one needs to have some background information before actually connecting to the film.


Facing criticism with respect to Shivai Rao’s (a replica of NTR) characterization and converting it into publicity element.


Facing criticism and questions with respect to ‘pedda sir' (implying YSR) and again converting it into a publicity element


Mood is suddenly dropping down at the conclusion point of the movie. Waiting till Part-2 to get completeness in feeling is a challenge for audience and it’s challenge for maker to sustain interest for 1 month till Part-2 release.


Final Analysis:


“Goodness or badness can never be anyone’s property. They are situational.
If a man is hunger free, he showers only goodness. But if any sort of hunger (be it lust, power craving or greed or vengeance) hits him, he spells badness'.


Rakta Charitra is a fiction based on historical facts.
It’s rather powerful to say that it’s a true depiction of human emotions.
It’s a tour to extreme human beings.


Ramayan or Mahabharat or any chronicled history in dramatic form depicts the extremities of emotions in every character. For example if Karna is known for generosity, its shown with eccentricity of chopping off his own armored skin to offer for a beggar. If Bheeshma is known for sacrifice, its shown in extreme point of choosing life time celibacy to keep himself and his legacy far from kingship. Any drama holds grip only when the characterizations are strong. This fact was known for dramatists right from Veda Vyasa and Valmiki. Similar path is now chosen by Ram Gopal Varma is depicting a historical fact in dramatic form. Telugu Movie Reviews


He has shown Bukka Reddy as a determined rapist (!) and dedicated murderer (!).The incidents canned around this characterization are extreme in imagination. Pratap Ravi is shown as a bad guy, but for a true reason (since he is chosen to be the hero of the plot).


Ram Gopal Varma is a master of movie making and an expert storyteller. This is seen here yet again. As such, the storyline can be understood in few words and there is nothing unpredictable about it but then it is the way Ramu takes off with each scene and how he gets the viewer into the film which counts.


His screenplay techniques and shot compositions are one of those dexterities he possesses. Perhaps a layman might find the visual appeal to be dim but then there are few flashes of his brilliance which are seen on and off. The focus was more on the emotion of the protagonist and the villain so that is a challenge to handle for more than two hours.


On the other hand, it is not a typical Varma characterization where most of the actors give hard expressions, talk less and convey more. Here the characters speak sufficient and sometimes little verbose!! But still there is a rhythm in their performance and it connects to the regular audience.


On a whole it’s a movie about the raise of a leader.


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